Home Grown MUSICALS AUSTRALIA

Musical theatre by Australian writers

A place to experience the best and newest material written by the Australian industry's own music theatre writers.

2026 APPLICATIONS OPEN

30/30

30 minutes of reading.
30 minutes of feedback.

Hear the first 30 minutes of your musical in a rehearsed reading, then discuss the work with invited practitioners and a facilitator.

Your musical doesn’t need to be finished.

Six works. Three cities. Free to apply and participate.

Apply for 30/30

Applications close
1 November 2026

What you’ll need to apply
A performer in the 2016 Grassroots reading of In Stitches by Steven Kreamer and Alex Giles
In Stitches
Steven Kreamer + Alex Giles
Grassroots reading
2016

01 / The process

How it works.

Hear how the story, characters and score work together, and find the questions that will shape your next draft.

  1. 01 / The First 30

    Hear the piece.

    Home Grown works with your team to prepare a rehearsed reading of the first 30 minutes, shared with invited practitioners and a small audience.

  2. 02 / The next 30

    Talk about the writing.

    A facilitator leads 30 minutes of feedback with practitioners chosen for your work. Three questions guide the discussion of its craft, dramaturgy, score and intention.

  3. 03 / The next draft

    Decide what comes next.

    You choose which notes to take. Afterwards, we meet with your team to discuss the next draft, possible development and introductions that could help.

Learn from the other works, too. Selected writers are welcome at all six presentations, including sessions in the other cities.

02 / The essentials

Who can apply?

Writers and writing teams developing an original musical or music-led theatrical work.

Your team and your work

  • At least one lead writer, composer or lyricist must be an Australian citizen or permanent resident.
  • Early-stage work is welcome. You need enough material for the first 30 minutes to be prepared for a live reading.
  • At least one originating writer must attend in one of the three cities. The whole team is encouraged to attend where possible.

Taking part

Places
Six works: two each in Sydney / Gadigal, Melbourne / Naarm and Adelaide / Tarntanya.
Dates & venues
Session dates and venues will be announced soon.
Cost
Free to apply and participate.
Fees & travel
Artist fees, travel and accommodation are not currently covered. We welcome support from donors interested in assisting travel for writers.

03 / Prepare to apply

What you’ll need.

Short answers and dot points are welcome.
Show us where the work is at now.

  1. People & project

    Contact details, your creative team and short bios, a brief synopsis and the musical’s development history.

  2. Script excerpt

    A PDF of up to 10 pages, ideally the opening. Scenes, a scene-by-scene outline or a treatment are also welcome.

  3. Two demos

    Audio or video, one file for each demo. You can include up to three extra demos if they help us understand the work.

  4. Lyric sheets

    A PDF of the lyrics for your demos, with a sentence explaining the context of each song.

04 / A few more details

Questions.

Anything else? Email homegrown@homegrownaus.com.

Why the first 30 minutes?

The opening introduces the characters, their world and what they want, sets the story in motion and establishes the musical style. Hearing that setup clearly can help strengthen the next draft. Please prepare the first 30 minutes, rather than a selection of scenes from across the show.

Does Home Grown take rights in the musical?

No. Taking part in 30/30 doesn’t give Home Grown any ownership or rights in your work. Any further development together would be a separate conversation and agreement.

What happens after I apply?

Applications close Sunday 1 November 2026. We’ll review every expression of interest after the deadline. Shortlisted teams may be invited to a short conversation before the final six works are selected.

05 / Home Grown development

Recent development.

A selection of the musicals we’ve helped develop through readings, presentations and production support.

Since 2016

Development by year.

Explore the original readings from Home Grown’s Grassroots Initiative, alongside our more recent readings, presentations and production support.

Readings & production support2 works + 30/30

A Transgender Woman on the Internet, Crying

By Cassie Hamilton

Support for the premiere production at the Old Fitz Theatre in Sydney.

Artefact (or Repatriation: The Musical)

By Lincoln Elliott

Production support for the Melbourne concert reading at Chapel Off Chapel.

New work in development3 works

A Transgender Woman on the Internet, Crying

By Cassie Hamilton

A concert reading at Chapel Off Chapel, presented with Home Grown’s support.

The Fig Tree

By Gillian Cosgriff

A reading presentation at Chapel Off Chapel, presented by Hedger & Nicholson in association with Token and Home Grown.

Concert readings2 works

Bearded

By Sean Donehue & Nick Waxman

Development through Grassroots, followed by concert readings at Chapel Off Chapel alongside tragic.

tragic.

By Indy Angel

Concert readings at Chapel Off Chapel, sharing the programme with Bearded.

Grassroots selected works6 works

Selected for development through Grassroots.

Sincerely, Us
Aysa Garcia & William Hinz
Falling Forward
Katie Weston
The Great Emu War of 1932
James Court & Simeon Yialeloglou
The Lonely Leaf
Christopher Harley
Flat Earthers: The Musical
Jean Tong, Lou Wall & James Gales
Jack Frost: The Musical
Joseph May-Dessmann
Grassroots selected works6 works

Selected for development through Grassroots.

The Little Princess
Bradley McCaw
Unrequited
Sally Whitwell & Emma Green
The Insatiable Moon
Jamie Burgess
Beau Wants to Be a Billionaire
Jackson Peele & Conor Neylon
Fearless
Shanon Whitelock
Moonlite
Gabriel Bergmoser & Daniel Nixon
Grassroots selected works6 works

Selected for development through Grassroots.

Sincerely, Yours
Jason Arrow & Kohan van Sambeeck
Woman
Vidya Makan
The Point of Light
Amberly Cull & Greg Lavell
Tan Toey’s House
David Peake
Dookie: The Musical
Wade Gregory, Helen Rankin & John Head
A Sharp Intake of Breath
Lucy O’Brien
The first Grassroots readings6 works

Six works read across sessions in July, October and November.

The Oasis
Bradley McCaw
In Stitches
Steven Kreamer & Alex Giles
Bettie
Nicole Melloy & Derek Rowe
Einstein: Master of the Universe
Jess Newman
Famous
Amity Dry
Stealing Picasso
Joel Paszkowski & Tom Reed
How Grassroots began

In 2015, John Senczuk's Platform Paper The Time is Ripe for the Great Australian Musical argued that Australia had the writers and the audiences for new musicals, but no pathway to develop them. The Victorian College of the Arts hosted a symposium that year to pick up the argument. Grassroots started in 2016 as Home Grown's answer to it, a low-cost, repeatable way to get a new musical in front of practitioners and hear it read. VCA supported that first program.

The format hasn't changed. The first 30 minutes, read aloud, then a conversation about the writing.

Performers reading In Stitches by Steven Kreamer and Alex Giles at Grassroots in 2016
In StitchesSteven Kreamer & Alex Giles · Grassroots reading, 2016
A performer at the 2017 Grassroots reading of Woman by Vidya Makan
WomanVidya Makan · Grassroots reading, 2017

Grassroots / 2026

Put your work
on its feet.

Applications close 1 November 2026

Apply for 30/30

HOME GROWN RESPECTS the Traditional Owners of the lands on which we work and live, and the ricH stories and culture of the traditional custodians of Australia.

Home Grown strives Towards diversity amongst writers, performers and creatives including gender, race, LGBTQIA+, cultural age and ability.