MacKenzie
Yve Blake
Development readings presented by Home Grown in Melbourne and Sydney.
Explore the work : MacKenzie (opens in a new tab)
Musical theatre by Australian writers
A place to experience the best and newest material written by the Australian industry's own music theatre writers.
● 2026 APPLICATIONS OPEN
30 minutes of reading.
30 minutes of feedback.
Hear the first 30 minutes of your musical in a rehearsed reading, then discuss the work with invited practitioners and a facilitator.
Your musical doesn’t need to be finished.
Six works. Three cities. Free to apply and participate.
Applications close
1 November 2026
01 / The process
Hear how the story, characters and score work together, and find the questions that will shape your next draft.
Home Grown works with your team to prepare a rehearsed reading of the first 30 minutes, shared with invited practitioners and a small audience.
A facilitator leads 30 minutes of feedback with practitioners chosen for your work. Three questions guide the discussion of its craft, dramaturgy, score and intention.
You choose which notes to take. Afterwards, we meet with your team to discuss the next draft, possible development and introductions that could help.
Learn from the other works, too. Selected writers are welcome at all six presentations, including sessions in the other cities.
02 / The essentials
Writers and writing teams developing an original musical or music-led theatrical work.
03 / Prepare to apply
Short answers and dot points are welcome.
Show us where the work is at now.
Contact details, your creative team and short bios, a brief synopsis and the musical’s development history.
A PDF of up to 10 pages, ideally the opening. Scenes, a scene-by-scene outline or a treatment are also welcome.
Audio or video, one file for each demo. You can include up to three extra demos if they help us understand the work.
A PDF of the lyrics for your demos, with a sentence explaining the context of each song.
Applications close 1 November 2026
You can also tell us what other support would help your show.
04 / A few more details
Anything else? Email homegrown@homegrownaus.com.
The opening introduces the characters, their world and what they want, sets the story in motion and establishes the musical style. Hearing that setup clearly can help strengthen the next draft. Please prepare the first 30 minutes, rather than a selection of scenes from across the show.
No. Taking part in 30/30 doesn’t give Home Grown any ownership or rights in your work. Any further development together would be a separate conversation and agreement.
Applications close Sunday 1 November 2026. We’ll review every expression of interest after the deadline. Shortlisted teams may be invited to a short conversation before the final six works are selected.
05 / Home Grown development
A selection of the musicals we’ve helped develop through readings, presentations and production support.
Yve Blake
Development readings presented by Home Grown in Melbourne and Sydney.
Explore the work ↗: MacKenzie (opens in a new tab)
Gillian Cosgriff
A reading presentation at Chapel Off Chapel.
Explore the work ↗: The Fig Tree (opens in a new tab)
Cassie Hamilton
A reading presentation at Chapel Off Chapel and support for the premiere production at the Old Fitz in Sydney.
Explore the work ↗: A Transgender Woman on the Internet, Crying (opens in a new tab)
Lincoln Elliott
Song presentations in Melbourne and Sydney, with production support for a Melbourne concert reading.
Explore the work ↗: Artefact (opens in a new tab)
Sean Donehue & Nick Waxman
Development through Grassroots and a concert reading at Chapel Off Chapel, shared with tragic.
Explore the work ↗: Bearded (opens in a new tab)
Indy Angel
A concert reading at Chapel Off Chapel, shared with Bearded.
Explore the work ↗: tragic. (opens in a new tab)From 2026, we’re bringing Home Grown’s development work together under the Grassroots name.
Since 2016
Explore the original readings from Home Grown’s Grassroots Initiative, alongside our more recent readings, presentations and production support.
By Cassie Hamilton
Support for the premiere production at the Old Fitz Theatre in Sydney.
By Lincoln Elliott
Production support for the Melbourne concert reading at Chapel Off Chapel.
By Cassie Hamilton
A concert reading at Chapel Off Chapel, presented with Home Grown’s support.
By Gillian Cosgriff
A reading presentation at Chapel Off Chapel, presented by Hedger & Nicholson in association with Token and Home Grown.
By Yve BlakeStory by Yve Blake & Dominica Nicholls
Development readings at Chapel Off Chapel in Melbourne and Hayes Theatre Co in Sydney.
By Sean Donehue & Nick Waxman
Development through Grassroots, followed by concert readings at Chapel Off Chapel alongside tragic.
By Indy Angel
Concert readings at Chapel Off Chapel, sharing the programme with Bearded.
Selected for development through Grassroots.
Selected for development through Grassroots.
Selected for development through Grassroots.
Six works read across sessions in July, October and November.
In 2015, John Senczuk's Platform Paper The Time is Ripe for the Great Australian Musical argued that Australia had the writers and the audiences for new musicals, but no pathway to develop them. The Victorian College of the Arts hosted a symposium that year to pick up the argument. Grassroots started in 2016 as Home Grown's answer to it, a low-cost, repeatable way to get a new musical in front of practitioners and hear it read. VCA supported that first program.
The format hasn't changed. The first 30 minutes, read aloud, then a conversation about the writing.


Grassroots / 2026
Applications close 1 November 2026
Apply for 30/30 ↗